In the realm of melody,
a tale unfolds,
Of a stringed marvel,
its story never old.
Born in Mesopotamia's
ancient land,
Crafted by Semitic
tribes' skilled hand.
A long neck it bore,
from a stick it was hewn,
Into a bowl of
turtle-shell or carved tune.
Its top was cloaked in
skin so fine,
Strings from neck to
base did intertwine.
To the Arab world, it
traveled far,
Transformed into the
'ūd, like a shooting star.
A body deep and
pear-shaped, a sight to behold,
A bent-back pegbox, a
tale of old.
From the 'ūd, the
European lute took form,
In art and music, it
became the norm.
Through Spain and
crusaders, it found its way,
In the 13th century, it
began its sway.
In Europe's hands, it
underwent change,
Four strings to a quill
plectrum, no longer strange.
By the 14th century's
mid, pairs of strings it bore,
And by the 15th, the
plectrum was no more.
Fingers danced on
strings, a melody to compose,
Movable gut frets, a
fifth course arose.
By the 16th century, its
classic form was set,
Six courses of strings,
a specific pitch met.
Tablature held its
music, a system so neat,
Horizontal lines for
courses, a feat.
From Medieval to
Baroque, its sound did ring,
In secular music of the
Renaissance, it was king.
An accompaniment in
vocal works, a lutenist's pride,
A luthier's creation, in
craftsmanship, he confide.
Today, the lute stands,
a symbol of taste refined,
A testament to music's
evolution, in history enshrined.
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